Bio & Contact

Contact
tinacorfield@gmail.com

Education
Current PhD candidate in Film & Digital Media Dept, UC Santa Cruz
MFA, San Francisco Art Institute.
BA, Glasgow School of Art, Glasgow, UK.

Exhibitions & Experience
2018
Extended Cinemas, Exploratorium, San Francisco, CA.
Interpretation/Clarification, Spaces Gallery, Cleveland, OH.

2017
New York Art Book Fair at MOMA PS1, New York, NY.
San Francisco Art Book Fair at Minnesota Street Project, San Francisco, CA.

2012
Follies of the Digital Arcade Solo show at Johansson Projects, Oakland, CA.
Wormhole Pirates, Proteus Gowanus Gallery, NYC.

2011
PDX Gallery, Portland, OR.
Optic Nerve XIII, Moca North Miami, FL.
On the Nature of Fire, Nature is Culture Gallery, Arcata, CA.

2010
Emerging Video, Big Screen Project, New York City.
The Velveteen Order, Johansson Projects, Oakland.
Moves’10: International Festival of Movement on Screen, The Bluecoat, Liverpool, UK.

2009
Heart of a Dog, Adobe Books window space, San Francisco.
Prospectives ‘09, Speaker at symposium held at University of Nevada, Reno.
Introductions ‘09, Root Division, San Francisco, USA.
New Short Film, Evergold Gallery, San Francisco, USA.
Free Form Film Festival, ATA, San Francisco, USA.

2008
Guest in Show, Solo show, Fridge Gallery, South Side Studios, Glasgow.

2007
The Sprezzatura Maze, Co-curator & exhibitor, +44141 Gallery, Glasgow

2006
The First Cast, Group Exhibition, The Fridge Gallery, Glasgow, UK
Hard Copy, Group Exhibition, Morpho Gallery, Chicago, USA
Monstrous Tales, Group Exhibition, APT Gallery, London

2005
Artificial Life, The Theatre of Restless Automata, Aspex Gallery, Portsmouth, UK
The Last Chicken in Sainburys, Part of Glasgow International, Dennistoun, Glasgow.

Work in Collections
The Whitney Museum

Publications
Journal Articles
nd
“Instant Messenger: The Pony Express, Media, and Infrastructures of American Modernity,” Discourse: Journal for Theoretical Studies in Media and Culture, submission under consideration.

Artist Projects and Online Scholarship
nd
A Brief History of Computers, Colpa Press.
2017
Petticoat Nation, (video) Civic TV, vol.3, Colpa Press.
2016
“Make Your Own Magic Lantern Slides,” Living Room Light Exchange Publication One,
May.
2011
“Flexible by Nature: Video and the Cultural Production of Concrete Fact,” Media Fields
Journal: Critical Explorations in Media and Space 3, Santa Barbara, CA : University of
California, Santa Barbara, Dept. of Film and Media Studies.

Conferences 
2018
“The Peep Box’s Expanded View as Virtual Reality.” Domitor, The International Society
for the Study of Early Cinema conference. Rochester NY.
“Technological Anachronism and Craft as Media Historiography.” Society of Cinema and
Media Studies conference, Toronto, Canada.

2017
“Home is Where Tomorrow Is: The Pony Express, Technology and the Maintenance of
American Modernity.” Film and History conference, Milwaukee.

2016
“Instant Messenger: The Pony Express, Media, and Infrastructures of American
Modernity.” &Media…, Graduate Student Conference, UC Berkeley.
2nd World Wide West conference, Point Arena, California
“Instant Messenger: The Pony Express, Media, and Modern Virtuality Before the Age of
the Internet.” What is Media? Conference at University of Oregon, Portland

2013
“Immersion and the Historical Encounter: Authenticity, Fictionality and History ‘In Your
Face.’” Stretching the Screen, Graduate Student Conference, San Francisco State University.

2009
Artists Talk. Prospectives ’09: Digital Arts Festival, University of Nevada, Reno.

Awards
2010
Nominated, SFMOMA SECA award
2007
Dewar Arts Award
Glasgow Visual Artists Grant Scheme.
2003
Glasgow School of Art Extended Essay Prize in Historical and Critical Studies.
Glasgow British Airways Student Travel Award

Press
2012
ArtSlant.com. February 7th. “Vaporous Subjugations.” Kara Q. Smith.
Huffington Post. February 8th. “Christina Corfield Explores the Hysteric Effects of Electricity.”
KQED. February 28th. “The Mysteries of Electricity Revealed.” Marion Anthonisen.
BreakThru Radio.com. January 24th. “Art Uncovered”. Thomas Seeley.
2011
Miami New Times. September 1st. “Optic Nerve XIII: MOCA’s short film fest goes national”. Carlos Suarez De Jesus
2007
The Sunday Times. Pick of the Week. December 16th.
“It Takes a Lot of Effort to Look this Careless.” Jennifer Campbell.
2006
Shining Magazine, shiningmagazine.over-blog.net
2003
The Glasgow Herald. June 22nd.
“When Dreams are put at Risk.” Moira Jeffrey.